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h to acting -- particularly classical acting -- that was unparalleled" (Nunns 46). These actors made Stratford well known for its "uniquely Canadian approach, a delicate balance between American Method-style realism . . . and the more traditional, artificial . . . British approach" (46). Reid expressed this balance best when she said that This "meshing of styles" has continued down to the present and Stratford has been known to

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