ce the imagery is set in the viewer's mind, along with a new language and other distinctly foreign elements, the viewer begins to identify good and evil, sanity and insanity, based on the symbolism of clothing, colors, language, and so on.
The control exerted by Kubrick is apparent as the boys drive through the night, with the three figures draped carefully in the shell of the car, while the changing lights and the rhythmic rocking of the car creates a visual image that is powerful
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