traditional conceptions of what art is and what an artist does. A bank of Nam June Paik's video screens or one of Jenny Holzer's digitized message boards, which incorporate both the conceptualists' notion of installations and the ongoing, temporal (and sometimes interactive) aspects of performative art, raise the same questions. Even if it is generally accepted that such pieces are art in the same general sense that a painting by Titian or a sculpture by Rodin is art, there is still a question of whether technology-based art is anything but public, institutional art or whether it is now assuming more accessible forms that will lead to its acceptance as an aesthetic experience outside institutional settin
...